Art and concert with Kurt Zeltner in Valendas

With Max Müller, Simon Klopfenstein & Arno Gadola, first-class musicians who have been making music with Zeltner for years will be there live. The latter, Arno Gadola, also has his roots in the Surselva and is looking forward to the home game!

After the reduced, rather quiet songs of the last album, Kurt Zeltner is back with big cutlery! The introduction to a two-minute intro promises not only creative work, but above all insight into Zeltner's world, not to say into his soul. Intro and outro frame nine cheekily composed and cleverly arranged pearls. Each stands independently, they are all different and yet they are completely the same in one. Typical Kurt Zeltner. He doesn't care about genres or no-goes of the music industry. Musically unmistakable and diverse, he quotes Robert Johnson's "Crossroad" just as uniquely as he sings a Gregorian choir in "Urban Bullshit". His voice was compared to that of Mark Lanegan or Nick Cave by rock pope Dillier on SRF3 after his first solo album. With the new coolness and his unmistakable energy, he is now going one better. Kurt Zeltner is alive, no, Kurt Zeltner is music.
Lyrically, Zeltner asks unpleasant questions or wraps his thoughts in funny metaphors, as in "Leonard", who has decided to go backwards to see the past, because everything was better in the past. In the supposed blues classic "C'mon in my Kitchen", he lets the boys play with bombs and cleverly wraps world events in a funny story.
When asked about his motivation, Zeltner likes to say about his work: "It is not my ambition to create lovely music. If I ever listen to my music in an elevator, I will have failed artistically."