Event Chur

Ich steh mit einem Fuss im Grabe – Konzerte mit Bachkantaten Bach-Verein Chur

Ich steh mit einem Fuss im Grabe – Konzerte mit Bachkantaten Bach-Verein Chur (gdl_855934004_image)
Three cantatas by Bach

Description

Date
22.03.2026 from 17:00 to 18:15 o'clock
Price
CHF 40.00
Children up to 16 years free, students and club members: CHF 10.00 discount
Kulturlegi 50%
Place
Comanderkirche
Organizer
Bach-Verein Chur

Lord, do not go into judgment with your servant BWV 105
I stand with one foot in the grave BWV 156
Lord, as you will, so send it with me BWV 73
Final chorale from BWV 36a "Grüne, blühe, lebe lang" (on the occasion of J.S. Bach's birthday on 21 March)

Thematically, the three cantatas form an impressive sequence of inner soul movements between fear, nearness to death and finally trusting submission to God's will. BWV 105 represents the most dramatic starting point: the soul stands before God's judgment and recognizes its own guilt. Fear, contrition and a strong feeling of inadequacy characterize the expression. The cantata traces a path from the panicked plea for spare to the realization that only God's grace can bring salvation. In BWV 156, the existential distress is continued, but in a calmer, almost resigned attitude. "I stand with one foot in the grave" describes a person who clearly sees his own end and at the same time remains in tender hope. The well-known slow opening movement with the soft oboe melody lends the cantata a contemplative dimension: between nearness to death and consolation, a quiet trust unfolds, which is still fragile but already comforting. Finally, BWV 73 leads this inner process to a point of mature devotion: "Lord, as you will, send it with me" is characterized by a firmly resolute trust in God's guidance, even if his will remains unfathomable to man. The tone is no longer fearful or resigned, but characterized by active approval of divine providence. The three cantatas trace a spiritual path as Bach often depicts it in his church works: from the fear of God's justice, to the experience of human weakness and the nearness of death, to a conscious, hopeful devotion to the divine will.

The ensemble
Bach Choir Chur
Bach Orchestra Chur

Manuela Tuena, soprano
Nora Bertogg, mezzo-soprano
Christoph Waltle, Tenor
Mattias Müller-Arpagaus, baritone

Maria Scheidegger, Violin 1
Jacoba Mlosch, Violin 2
N.N., Viola
N.N., Violoncello
Daniel Sailer, double bass

Sonja Reinthaler, Oboe 1
Luzi Juon, Oboe 2
N.N. Horn

Pieder Jörg, organ/harpsichord

Venue

Comanderkirche

Sennensteinstrasse 28, 7000 Chur

Responsible for this content: Mattias Müller-Arpagaus.
This content has been translated automatically.

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